I could envision the performers arrayed across a wide and deep stage.현재 시중에서 쉽게 구할 수 있는 음반을 소개해주십시오. Massed strings were rich and seductive, yet fine details-like the bowing of the massed strings and the transients of the delicate pizzicato-emerged clearly, which made the music far more engaging. I was taken by this speaker’s overall balance and coherence on Serenade for Strings on the same SACD. The leading edges of transients were clear and fast without any blurring, which made percussive and brass instruments thrilling and, very often, startling. Indeed, the strings were not only reproduced with plenty of detail, but also with air, body, and extension. Massed strings were detailed and had bite, but not enough to hurt my ears, as is the case on many other speakers. String bass provided a solid foundation and was articulate and controlled. They go down deep enough that I didn’t feel the need to add the REL G-1 subwoofer on the SACD of Tchaikovsky’s Francesca da Rimini.
#ENIGMA ALBUM 2017 FULL#
The Enigma MkII excels at reproducing the sound of a full symphony orchestra. The three outrigger supports on the base are not used for grounding, but merely to help balance the speaker, so it remains unwavering and erect. Y’von adds, the proper way to ground a speaker. The Enigma MkII employs a single ground-path from the speaker cabinet’s center of gravity to the floor. Double thickness top and bottom plates add to the rigidity and low-energy storage of the cabinet, effectively reducing intermodulation distortion, smearing, and one-note low frequencies. Lapped construction at the joints and internal bracing also help create a cabinet that is extremely low in coloration. The Enigma MkII’s elegant, asymmetrically curved cabinets are made of multiple thin layers of HDF bonded together under extreme pressure, resulting in a stiff structure that effectively dissipates energy. Y’von’s crossover-design services for their flagship loudspeakers.) Nobody does it better! (It’s no wonder several high-end loudspeakers have utilized Mr.
#ENIGMA ALBUM 2017 DRIVER#
Its steep slopes remove out-of-band driver artifacts, so there is no discontinuity between the drivers, which is quite a feat as the two woofers have to mate with a large ribbon tweeter. For every loudspeaker, a custom crossover is tailored to each set of matched drivers, maximizing performance and coherence, while also maintaining proper phase. This superlative performance is a result of the Enigma MkII’s amazing crossover, custom drivers, and cabinet design. I particularly liked its deep, expansive soundstage, coupled with its startling transparency and dynamic swings, on Reference Recording’s Beethoven’s Ninth. The speaker remained uncolored and controlled throughout its range.
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On power orchestral music like the Netherlands Philharmonic’s recording of Mahler’s Symphony No.5, the cymbal crashes were so explosive they almost knocked me out of my seat, but without any of the overbearing brightness that can interfere with one’s enjoyment of the music.
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The Enigma MkII can also explode dynamically without losing its composure, and it stops on a dime, with no overhang. As the pianist moved across keyboard, the piano sounded as if it were cut from one cloth. Focus was precise and interdriver coherence was first-rate. The treble had lots of air and extension, too, without any brightness. There was none of the midbass muddiness or thickness that many other speakers exhibit in this range. On an SACD of Wilhelm Kemp playing the Sposalizio from Franz Liszt’s Années de pèlerinage, the piano’s low end had outstanding clarity, articulation, control, and weight. The Enigma MkII’s performance on demanding solo piano works is superb.